SONM

Fonoteca de Música Experimental y Arte Sonoro

Concerts

METAMKINE + LIONEL MARCHETTI

Concerts

23 DE SEPTIEMBRE DE 2015 >> EXPERIMENTADORES EN LA FONOTECA >>

En el marco de esta IV edición disfrutaremos de los conciertos de Metamkine, Lionel Marchetti y José Perelló. Tres directos plenos de sonidos e imágenes, el próximo miércoles 23 de septiembre, como siempre a las 20:30h en el auditorio de Centro Puertas de Castilla.

Entrada libre hasta completar aforo.

El colectivo Metamkine y Lionel Marchetti, el 25 de septiembre de 2015 estarán en Mardrid, en CentroCentro, dentro de la programación de Audiópolis. La actividad también está comisariada por Francisco López. [+ info: AUDIOPOLIS]

>> METAMKINE

+ LIONEL MARCHETTI

+ JOSÉ PERELLÓ

 

MARCH EXPERIMENTERS

Concerts

MIÉRCOLES 25 DE MARZO DE 2015

EXPERIMENTADORES EN LA FONOTECA

Dario Moratilla [Guadalajara (esp)]
+ Daniel del Rio [Guadalajara (esp)]
+ Jorge Vicario [Madrid (esp)-Berlín (ger)]
+ Jazznoize [Murcia (esp)]

El próximo miércoles 25 de Marzo a las 20:30 horas, en el auditorio del Centro Puertas de Castilla de Murcia, podremos escuchar los conciertos de 4 audio-artistas españoles.

ENTRADA LIBRE HASTA COMPLETAR AFORO.

DARÍO MORATILLA, DANIEL DEL RÍO Y JORGE VICARIO (POZOÑA), EL VIERNES 27 DE MARZO DE 2015 ESTARÁN EN MADRID, EN AUDIÓPOLIS, CENTROCENTRO (MADRID).

ACTIVIDAD TAMBIÉN PROGRAMADA POR FRANCISCO LÓPEZ.

+ INFO: AUDIÓPOLIS

 

Peter Bosch & Simone Simons+ Matteo Marangoni

Concerts

First event of the season the artistic duo Peter Bosch & Simone Simons and Matteo Marangoni.

On Wednesday January 21, 2015, at 9:00 pm will take place the concerts in the Exhibition Room of Puertas de Castilla Center.

Peter Bosch & Simone Simons [Holland-Spain]
Peter Bosch’s Photography by Felipe Urribarri.

+ Matteo Marangoni [Italy-Holland]

BOSCH & SIMONS + MATTEO MARANGONI,
Will be in Madrid (CentroCentro), on Friday January 23, 2015, at 8:00 pm.
+ INFO: Audiópolis

Víctor Nubla

Concerts, Experimenters at the Sound Archive

/// Víctor Nubla ///

Concert: NOVEMBER 10 2011, 21:00 h

The sampler viewed as one of the Fine Arts

Instructions for use:

1. The sampler is not only an instrument, but rather a prophecy:

“We can produce sounds that are almost imperceptible, wide, deep, long, dimmed and high. Sounds that are oroginally in a single piece, we made them whispering and shaky. We imitate the voices of the beasts and the birds, and all kinds of articulated sounds. We have certain devices that, applied to the human ear, notably increase the reach of our hearing. We also have diverse and particular artificial echoes that repeat the human voice several times as if it was bouncing back, and some others that return it higher that the way they received it.”
(Francis Bacon, 1561-1626)

“I have invented a new music, without instruments. The old music does nothing but make moan guts, to pass the breath through metal tubes or strike on dead donkeys .(…) I have written a symphony with natural sounds that produces quite unexpected feelings and that will be the beginning of a revolution in this now decrepit art .”
(Giovanni Papini, 1931)

[Read more…] about Víctor Nubla

Francisco Felipe

Concerts

/// Francisco Felipe ///

Concert-Installation: NOVEMBER 10 2011, 21:00 h

A journey through a number of places presented as micro-soundscapes, with sounds recorded form reality, primarily as found sound objects, together with other sonic elements acoustically generated in situ. Sounds from nature, the voyage, the city… intertwined with fragments from conversations in different languages, making up a polisemic mosaic narrative, in which the concrete and the oniric are both present. A reflection upon the current world from the perspective of a traveller, the search for meaning in the face of an already-announced social and cultural impasse, together with the gaze of other cultures.

Sound materials organized around a trilogy composed by the pieces:

1. “Bleakness of the City”
Commissioned by Madrid European Culture Capital, 1992, Spanish National Radio / Círculo de Bellas Artes. Published by the European Union Broadcast in the Ars Acustica antological CD.

2. “From the Bridge”
Composed at the Bannff Centre for the Arts (Canada) through their art residency grant programme. Published in an extracted version on the CD RAS nº 2, Revista de Arte Sonoro, Facultad de Bellas Artes de Cuenca (Spain).

3. “The Path”
Commissioned by the Spanish Center for the Diffusion of Contemporary Music / Ministry of Culture. Produced at the Laboratory of Electronic Music (Madrid, Spain).